With two disposable analogue cameras purchased on site, Aurélien Mole spent thirty minutes documenting a local photography lab, a relic of a bygone era: that of the industrialisation and popularisation of analogue photography. It took no longer than that to develop and print the two-colour negative films for this photo report, and to craft this brief introductory text—a little more time was required, though, for Syndicat to design its ghostly layout.

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