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Some Things Bleak, a publication about seeing versus not seeing, about gender, class and climate, a work about representation and reproduction. In short, a vehicle for perception and togetherness.

After leaving an artist in residence in Japan spring 2019 and being back in Amsterdam Markus felt the need for silence and contemplation. Intuitively she built a studio setting in the forest and a photographic process began. It started with a found tarpaulin; the same kind of blue tarp that is a common sight in Japan and if one looks closer most often a shelter for someone without a home appears. The same familiar blue patches that we see in Europe on building sites and in gardens, a weave that shelters from the wet and hides what we should not see. Using the sun as the only light source plants were photographed through the weave resulting in images seemingly being at sea, being under water or floating in a blue sky. Yet it is only a woven blue plastic piece that hides what is right in front of us. It blocks our view and hides the natural. A deception. An illusion.

Parallel to honoring artistic writing such as calligraphy and Rorschach tests these images also reference cyanotypes, the first photographs ever made, When one looks close, the woven blue grid in the tarp resembles the fleeting never-ending digital pixels that swirls around us in our everyday life. The images are poetic and at the same time a bleak abstraction of nature, representation and reproducibility. Some Things Bleak is a poetic summary of the artist’s thoughts and layered methodology simultaneously the work highlights intersectional views in the metaphor of the printing process. The book is printed on various papers (blue, black, white, thin white), and printed with various inks (blue, black, white, transparant). These elements are mixed by printing (white on white, white on black, blue on black, blue on white, etc), creating endless new combinations in print.