Mousse Magazine N°63
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- Softcover
- 240 × 350 mm
- April-May 2018
SAÂDANE AFIF
C’est l’orchestre qui fait le tableau
Eva Huttenlauch
MOTHER TONGUE
Rose Vickers
JACQUELINE KIYOMI GORDON AND C. SPENCER YEH
There Is No Front: Sound as Sculptural Material
Chiara Giovando
PAN DAIJING
Never Feeding, Only Generating
Andrea Lissoni
EVELYN T. WANG
Four Women
Hendrik Folkerts
DOMINIQUE GONZALEZ-FOERSTER
Apparitions: Is It Fitzcarraldo or Véra Nabokov? King Ludwig II or Lola Montez? Or Scarlett O’Hara?
Roxana Marcoci
FORENSIC ARCHITECTURE AND METAHAVEN
The Inhabitant and the Map
Richard Birkett
THE MUSEUM OF TOMORROW: COLONIZING OUR FUTURE
T. J. Demos
RYAN JOHN KING AND KATYA ZAVYALOVA
Foam: Architects Mapping Blockchain onto the World
Elvia Wilk
NICOLAS MOUFARREGE
Prescient Stitches: The Work of Nicolas Moufarrege
Élisabeth Lebovici, Mounira Al Solh, and Dean Daderko
LISA PONTI
A Narrow Ladder with Which to Steal Apples
Hans Ulrich Obrist and Franco Toselli
ET IN ARCADIA WE GO
Dieter Roelstraete
GHOST STORIES OF ALMOST NOBODY
Sabrina Tarasoff
HAYV KAHRAMAN
The Diasporic Body in Motion
Omar Kholeif
VIVAN SUNDARAM: IN THE LIVING PRESENT
Natasha Ginwala
SER BRANDON-CASTRO SERPAS
Anxiety Becomes My Work
Ross Simonini
ULÓNGA
Christina Lehnert, Leo Asemota, Nástio Mosquito, Bonaventure Soh Bejeng Ndikung, and Philippe Pirotte
LIN MAY SAEED’S SLOW BURN
Chris Sharp
AT LIBERTY
Anastassia Smirnova
POST-PERFORMANCE FUTURE
Marie de Brugerolle